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interview - NAOMI WATTS

Watts Sheds Light on Dark Movie

Naomi Watts stars alongside Viggo Mortensen in Eastern Promises, director David Cronenberg’s grave follow-up to A History of Violence. You didn’t think it was going to be a romantic-comedy, did you?


By Earl Dittman

It wasn’t until she finished shooting David Cronenberg’s Eastern Promises — which debuts this month at the  Toronto International Film Festival before opening wide on September 14th — that Naomi Watts let the world know she and boyfriend Liev Schreiber were expecting a baby. Son Alexander was born in July.


But the pregnancy must have been on her mind all through production. Not just because a baby changes your life in all the expected ways, but also because the film’s story — yet another dark tale from Canadian director Cronenberg — focuses on a newborn in peril.


Watts, who’ll turn 39 this month, plays Anna Khitrova, a midwife in a London hospital who’s present as an anonymous young woman dies during child birth. Anna sets out to discover the woman’s identity and tell her family of her death.


But her search drags her into the underground sex-trafficking scene run by the Russian Mob, where she crosses paths with Nikolai Luzhin (Viggo Mortensen), the feared head of one of the most savage Russian crime families. When Nikolai discovers Anna may have uncovered damaging information about him while searching for the dead girl’s family, he hatches a plan to hasten her demise.


“David knows how to handle violence, action and deep emotions and make them all work together in a single film,” says Watts during a recent Beverly Hills interview. “He’s a master at it. He knows how to keep you on the edge of your seat the entire film.”


Do you seek out intense roles?

“No, I don’t look for dark pieces. I’d hate to think I’m typecast. I have done comedies, and I will have lighter movies coming out. But I do have to say that I am more drawn to those darker characters. I find them more interesting to play. In all art forms, I find myself gravitating to depressing, dark books, or paintings which are mysterious and dark and not pretty.”


Do you take roles like Anna home with you?

“Sometimes. Often it can’t be avoided.”


Naomi Watts in Eastern Promises.
Above: Watts with Viggo Mortensen

Do the film roles you do influence you as a person?

“Yes, they do. I felt my character in Eastern Promises is a lot more fearless than I am. She found a way to live her life in the most adverse circumstances, against all odds. So she taught me a lot about how to deal with a lot of my inner emotions in constructive ways. It also came at an ideal time in my life. With all the things that have been going on with me I needed a little extra help sorting out my emotions and feelings. The greatest thing about acting is that you hope the characters you play will teach you something about your own life.”


What do you think about when you have to act frightened?

“Well, I am someone who has a degree of fear, like any normal human being. So I love to play it…. I love that I can contribute to manipulating someone else’s emotions because we can all play tricks on our own minds. We can trick our minds into believing or feeling things, and to think that we can go to a movie and have someone else trick you, I love that notion.”

 


Cronenberg is primarily known for his horror films. Are you a big fan of scary movies?

“I’m not someone who looks through the newspaper to see when the next one is coming out. I’m more a fan of psychological thrillers. Most of the horror films I’ve loved are from a long time ago, the ones that are more creepy like The Shining and Don’t Look Now.”


Did you feel beat up, emotionally, after making Eastern Promises?

“No, I actually felt the opposite. I felt refreshed in a weird sort of way. A couple of years later I think I’m still
recovering from doing King Kong. That film was so physically draining. I mean, it was eight months of 14-hour days filled with jumping, running, being punched, pushed and pulled. It really did take its toll, and I’m not a big person. So this film was a luxury. I mean, the emotional aspect of it is exhausting, but we had time to do it right.”


You’re in a relationship with actor/director Liev Schreiber. Do you have confidence that any Hollywood relationship can work long term?

“Many have, so I would like to think so. You just have to keep learning how to make it work.”


When you turned 30, did you start thinking about children and marriage?

“I always thought that I would have had kids by the age of 30. I wanted kids when I was 19, and it’s just not how it happened for me.”


Kate Hudson, your Le Divorce co-star, told me that you were really excited about her pregnancy while making that movie. It sounds like you really love babies.

“Yeah, I really do…. When we were working together I told Kate to sign me up for babysitting duty. I thought it would be a lot of fun.”


When did you and Nicole Kidman become friends?

“When we did Flirting [1991] together.”


Did her success prepare you for fame?

“In a way, because I’ve known Nicole from before her success, and I’ve known her all through it. I’ve experienced it with her. When you’re a friend you watch and you learn. But it’s not something that you sit down and ask advice or try and get pointers about.”


How has your friendship with her changed since the two of you became famous?

“Time. Since she’s always doing movies around the world, we don’t get the chance to hang out as much as we used to. Plus, she’s now married again and still has her children, so she has such a busy schedule. And now that I am better known in Hollywood I’m constantly on a film set in God knows where. But we still talk all the time. My phone bill is outrageous.”


Do you feel like a star?

“No. I’m the same person. The only days that it’s different is when you do interviews and people are so suddenly interested in you and ask you a million questions. The rest of the time it’s about me mixing with people and it’s an exchange.”


You were born in England and moved to Australia when you were 14. Can you talk about where you grew up and why you left England?

“I moved around England a lot, I went to like seven different schools. My mum was finding her feet in terms of her career. Her husband, my dad, they divorced when I was four and he was on the road at the time, so we lived with my grandparents, we lived with my mum, who’s British. My grandmother is Australian. We just moved around a lot, then we went to boarding school, so by the time I moved to Australia I had already moved around, so I wasn’t just attached to one place I could call home.”


You had a pretty good career in Australia. Why did you decide to try your luck in Hollywood?

“I knew if I was going to have a career in acting, Los Angeles was where I needed to be. When I got here I was like, ‘Wow, this is the land of opportunity.’ Kind of like Betty in Mulholland Drive, but not as naive as that. I had high hopes and I had a lot of people tell me that I had reason to have high hopes. I was astounded how everything was big, like the supermarkets. I was always thinking, ‘How am I ever going to find granulated brown sugar?’ [Laughs.]”


Professionally, how did you feel?

“Once I got here, I thought I had it made because I immediately landed roles in a couple of films [Tank Girl and Matinee]. Little did I know it wouldn’t last. I experienced some really lean times during those days. There were definitely some days when I thought, ‘Maybe I should pack it all in and head back home.’”


So does Naomi Watts finally feel successful?

“I just feel the same as I always have. There’s always a struggle. I’m a happy person pretty much wherever I go. Yes, I’ve had struggles, but I think we all live with struggles and mine are no more different than anyone else’s, really. Success in the tangible sense, yeah, I get sent nice clothes and I get a reservation at the restaurant after they’ve said no, perhaps, and I’ve had some great paydays that have bought me a fancy house and those kind of things. That’s the tangible side, but for me, success has been working with these [filmmakers] and connecting with people.”


Earl Dittman is a Houston-based writer.

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